Archive for " June, 2010 "
Dolby E setup for laybacks – DP571...
Dolby E and setup for DP571 to proper Dolby E encoding.
Locking HD systems for Live and Post
you will need a time code reference signal for positional reference and a clocking signal for frame synchronization. You will need to gen-loc the cameras or at least jam sync them...
HMM staff are members of
HMM supports MADE IN NY
If you book with us for production or post production services with a MADE IN NY card, we will provide you with an additional 15% discount.
Made in NY is an incentive program and marketing campaign of the City of New York Mayor's Office of Film, Theatre & Broadcasting. Under the program, television and film
AUDIO PULLUPS and PULLDOWNS
AUDIO PULLUP and PULLDOWN Frame Rates The are several frame rates that you will come across in the post production world.The most common ones are 29.97(NTSC), 23.98(NTSC), 24(Film), and 25(PAL). When a picture gets transferred from one speed to another the audio will have to change speeds as well (**Note: this is not always true now with some advanced video transfers, but for the sake of
GEL 2010 conference shoot – Gregor...
here's a fun clip from GEL 2010
The Gregory Brothers (Auto Tune the News) at Gel 2010 from Gel Conference on Vimeo.
Loudness and tehniques for maintaining l...
Here's a document that talks in detail to loudness and tehniques for maintaining loudness.
here's an overview of the Document:
Despite the conclusion of the DTV transition, many broadcasters and the production community have been slow to effectively adapt to the changes required to transition from analog NTSC audio techniques to contemporary digital audio practices. With digital television’s expanded aural dynamic range (over 100 dB) comes the opportunity for excessive variation in
Video and Audio frame rate mismatch in F...
Video and Audio frame rate mismatch in FCP - potential fixes.
First rule of FCP... don't mix frame rates and, don't mix Video speed (23.97 fps) with film Speed (24 fps ) material in one time line.
FCP "frame rate" is the video frame rate setup in the sequence setup, in your case 23.97 ( Video speed) . Audio "frame rate" as you suggest does not have anything to do with the
DOLBY DMU
Dolby DMU Stuff
Hmmm... lets see. The one I use is all AES Digital IO. Just place it in record chain plug in timecode and 48Khz black sync and Bobs' your uncle. the unit takes 6 channel discreet and records an AC3 digital stream for the 35mm digital audio and an LtRt for the optical track, to an Optical Disk drive. The DMU can operate at most frame rates, 24, 23.976,
HD Video Shooting formats
Notes on shooting formats... FYI
720p
720p is one of the HDTV formats. It means the image has 720 lines of "vertical resolution", i.e. 720 pixels from top to bottom. The p stands for progressive, which means that each frame is a single full-resolution image, unlike some formats that use interlacing.
Resolution
720p has a horizontal resolution of 1280, so the entire image is 1280x720 pixels (approx. 920,000 pixels in total).
Frame Rate
720p can have
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